- The uncut version of Harvest Lake on a glass-mastered, region-free blu-ray disc (not a BD-r) in 1080-p high definition
- EXCLUSIVE Artwork: Cover wraparound featuring teaser poster art by Erik Wilson, hand-numbered (1 through 250) on the back
- EXCLUSIVE Timing: Ships in January, at least two months ahead of our festival premiere and any other release of the movie
- EXCLUSIVE Bonuses: 2nd disc (DVD-r) featuring The Day
- Joe Left short film by Scott Schirmer, Switch short film by Brian K. Williams, and a one-hour round table discussion about horror and indie filmmaking with Schirmer, Williams, and FX artist Arthur Cullipher
- EXCLUSIVE Recognition: Your name will be included in the ‘Special Thanks’ section of the film’s end credits and on IMDb!
- Audio commentaries with the cast and crew
- Behind-the-scenes featurette
- Option to have the front cover autographed by Scott and Brian
- 2 x 6″ full-color vinyl bumper sticker “I Got Wet at Harvest Lake”
Thursday, 29 October 2015
Sunday, 11 October 2015
Where Snyder treats collateral damage as a necessary inconvenience (a la Michael Bay and American foreign policy), Whedon goes to great lengths to save innocents, even if it means risking the lives of his heroes, and surely that is what being a hero is all about. The main question that Age of Ultron asks is whether the sacrifice of a few to save the many can ever be justified? Take, for example, a city under siege; the besieging army promise to stop the attack and in the process save many thousands of lives if the inhabitants deliver to them a single child, in the knowledge that he will be killed. How much is their lives worth? One child, two, one hundred? In other words, if we are prepared to sacrifice a single life to save many then we may as well kill a hundred.
The film is well paced with a much needed quiet 2nd act and a frenetic finale that builds the action over several set pieces rather than rely on the multiple endings so prevalent in action films (yes, Bay and Snyder, I can see you both giggling at the back. See me after class!).
It's nice to see Black Widow and Hawkeye take centre stage and Whedon ground the film with a pair of non-radioactive, superpower-less mortals. Empathy is important in a film and this is always going to be a problem in a superhero movie, but in Age of Ultron we have Black Widow and Hawkeye to act as our empathetic surrogates; we are Hawkeye and Black Widow and they do us proud.
James Spader hams it up just the right amount and seemingly channels Adam West for his portrayal of Ultron. The rest of the cast continue as normal but with a little more depth and humanity than previous films, with Thor questioning his godhood and a growing relationship forming between Romanoff (Black Widow) and Banner (Hulk).
Action-packed and funny in just the right places, Age of Ultron is a superhero film that for once doesn't focus on super-powers and instead on love, compassion and sacrifice. A very human superhero film indeed.
Canoe Reaves plays ex-hitman John Wick. A man whose violence is tempered by the dog that his recently deceased wife left him. Let's just hope that nothing bad happens to the dog, eh? Enter the villainous Alfie Allen and let the blood, guns and Canoe's brooding stoicism loose!
At times reminiscent of a John Woo film, the film is beautifully shot and lit with an almost minimalist feel to it, especially during the first half where even the soundtrack is muted and abstract. Then slowly it builds into a frenzy of high-octane guns, fists and pounding techno-beats (supplied by Tyler Bates). Canoe does what he does best and stays quiet for most of the film and instead looks damn cool in a sharp three-piece and tie carrying a suitcase full o' guns. Michael Nyqvist plays a great, if clichéd, eastern-european villan and Alfie Allen is perfect as the son that we would dearly love kick in the balls. The stand-out though has to be the wonderful Ian McShane in a cameo as Canoe's fixer.
John Wick combines the flowing Kung Fu of The Matrix, the brutal close-up fighting of the Bourne films, the balletic gun-play of Hard Boiled, and the force of nature that is Lee Marvin's Walker in Point Blank.
If there's one con it's the over reliance on that CGI blood-spray effect. Can we please go back to blood-packs and squibs!
Jolly good show Canoe!